Workshop: "Movement of acoustic image" @ Live! IXem 2010 
Purpose Laboratory
Browse through the knowledge of the techniques of digital recording the sound universe belonging to the "places";
discuss certain aspects of use of concrete material in electronic and instrumental composition.
Localization of sound in surrounding focuses on the theme of "sound mapping" as a social identity, cultural and, at the same time, an expression of conscience and personal feelings, and its use in music opens important interdisciplinary horizons.
The workshop aims to provide an introduction to theory and practice of the major mobile sound recording techniques and the use of sound sources in different fields, from sound design to cinema, dall'editing use of digital sources in the composition instrumental, electronic music and live electronics. Will also be presented, discussed and listened to music and musical excerpts from field recordings. All members are invited to participate Island Sound to the walk in the neighborhood of Milan and thus contribute to the creation, during the workshop, a small sound map of the place. The traces obtained at the end of the workshop will be disseminated in the spaces O 'through a multi-channel and available to the public in the form of soundscape composition.
Speakers: Alessandro Massobrio, Fabio Orsi
by Matteo Milani, Federico Placidi and Domenico Sciajno
Biographies speakers: Alessandro Massobrio
guitarist and composer, Alessandro Massobrio has alternated his studies in composition, graduating in philosophy and bioacoustics ontology hermeneutics with Gianni Vattimo and in terrestrial and marine bioacoustics with Gianni Pavan. His personal research focuses on the illusion, the relationship between sound and geometry, emotions and thoughts. His music is linked to the control of the gestures, the tone and the natural decay of sound in order to create structures and electronic effects. As a performer he plays electric guitar + electronic audiovisual project in Flushing Device. E 'Klanglandschaft member of the Forum, the Communauté canadienne électroacoustique and Deutsche Gesellschaft für Musik Elektroakustische. He writes and directs the electronic music category for the magazine Decibel Exibart.
www.flushingdevice.it
Fabio Orsi Fabio Orsi is an electronic musician specializing in atmospheric drone. Since its debut in 2005, he consolidated its reputation as a key figure in the underground scene in "nu-folk electronica" with a fascinating series of solo works and collaborations soundscapes dominated by psychedelic flavor. Bear creates sound cards with a tangible sense of place and time, using layers of guitars, old keyboards and found sounds, loops with a development so natural that it is almost impossible to notice when certain sounds emerge or dissolve.
www.myspace.com / orsifabio
Natasha Barrett (Guest lecture)
production Natasha Barrett extends from composition to sound architecture, sound art, installations and interactive works. The manipulation of space is central to a large of his works, whether in written or electronic media instrumentalists. His aesthetic is linked to aspects of acousmatic nature, as the concentration on auditory perception, the structure and the potential significance of the sonic details, with a particular interest in the compositional techniques that reveal what the ear normally ignores.
www.natashabarrett.org
Program
October 29, 2010
> 10.30 Introduction by
Ricciarda Belgiojoso, author of the book "Building with sounds". Defining the concept of soundscape and sound design work on the urban space.
> 11-13 hours
1 ^ part: sound recording - microphones, hydrophones and geophones, digital recorders.
2nd part: the perception of sound in space. The multichannel sound reproduction.
> hour lunch break
13-14> 14-17 hours
1st part: listening, editing with freeware software.
2nd part: soundwalk.
October 30, 2010> 10.30-13 hours
1st part: spectral analysis and editing. From time to frequencies.
2nd part: Presentation of instrumental and electronic compositions in which sources are used for registration.
> hour lunch break
13-14> 14-16 hours
Conclusion: Creating one or more soundtracks of the walk, diffusion.
> 16-18 hours
Natasha Barrett - Conversation with the composer, which will provide useful tools for critical and deepening of the work subsequently carried out during the course of the evening.
Level
All subjects and activities of the workshop / laboratory are addressed at the introductory and preliminary, so theory and practice with the help of audiovisual material. Members are encouraged to be actively intervening, bringing in their expertise and creating discussion. Participants will be guided, if weather conditions permit, in a short path through the neighborhood sound geo-Island Milan and invited to contribute to the creation of a sound track of the walk. Does not require any special technical knowledge and / or music. However, audio editing and a smattering of knowledge of the basics of digital recording can be an advantage.
Recipients
The workshop is intended for those sound designers, musicians, composers, sound engineers and experts who would consolidate and compare their experience in an environment of exchange and sharing, of listening to all the lovers and those who interest them and curiosity about the theme of the soundscape and the electronic composition.
Entry requirements There are no requirements particolari. Il laboratorio è aperto a tutti, senza alcun limite di età. Le iscrizioni rimangono aperte fino ad esaurimento dei posti disponibili.
Strumentazione
laptop Mac/Pc (utile, ma non indispensabile durante le sessioni di montaggio e trattamento del suono)
chi possiede un registratore portatile è invitato a portarlo per la passeggiata sonora nel quartiere Isola
Roland Italy metterà a disposizione dei partecipanti due registratori digitali - R-09HR e R-05
www.roland.it
Costi e Modalità di iscrizione
Per partecipare al Workshop è necessario iscriversi (i posti sono limitati) entro e non oltre il 23/10/2010 e versare la quota di partecipazione (€ 60,00).
Per ulteriori informazioni e iscrizioni sul workshop scrivere a workshop@antitesi.org oppure visitare la pagina di Facebook.
Modalità di pagamento
PayPal
Bonifico bancario/money transfer
Luogo
Il Workshop si terrà presso:
O' Colombo under the name O'artoteca (O 'since 2008).
It is located in Isle of Milan and its activity is divided into a large exhibition space, an area of \u200b\u200bconsultation and archive, and an outside lab, LAB-LaboratorioArtibovisa for the production related to photography and printing. Developed exhibition projects and discussions, performances, concerts, lectures, publications, is a place where artists can experiment, test and compete with their work.
INFO: Cultural Association Antithesis Live!iXem 2010 Preview
Anteprima della VII Edizione - 08/10/2010 - Hiroshima Mon Amour Torino
Festival internazionale di musica, mixed media ed arte elettronica sperimentale
22.00 Laptop Mini Orchestra plays Sonic Shuffle
di Domenico Sciajno (conduction&graphic_score) con Andrea Arcella, Andrea Valle, Dario Sanfilippo, Franz Rosati, Federico Placidi & Matteo Milani (aka U.S.O. Project) e Cat Hope ai Laptops
In Sonic Shuffle gli interpreti ai laptos eseguono una partitura grafica che si trova su un particolare mazzo di carte appositamente disegnato. Le carte sono distribuite ad ogni interprete prima dell'esecuzione. Il direttore dell'esecuzione controlla in tempo reale alcuni aspects of the score and regulates the distribution of moments sound developed by the interpreters.
22:30 Electroacoustic PlayGround
By Cat Hope - electric bass, Franz Rosati - Laptop, Ramon Moro - trumpet / flugelhorn / fx, Andrea Valle - Laptop, Dario Sanfilippo - Laptop, Gandolfo Pagano - prepared guitar
In Electroacoustic musicians Playground will meet on the field of improvisation acoustic instruments, audio equipment and digital through different methods and combinatorial association set instantly.
German composer and video artist. His work is known for the careful choice and placement sound, for the complex interweaving of rhythmic structures and its minimal and fluid approach. Bretschneider's music described as "the same abstract Puntillo," or "the hypnotic pulse of a reverberation chamber" is associated with its visuals: the creation of visual phenomena such as perfect translation of the qualities inherent in the sound.
Dancefloor Live! IXem is a well established event that explores the relationship between sound, music, electronic arts and new technologies.
The field is transverse, the common denominator is not the kind spermentale but the approach to innovation and research. It seems
therefore natural to open in the CIM XVIII - Colloquium on Musical Informatics organized by AIMI - Italian Association of Musical Informatics a window that advances the 2010 edition, the seventh, the Live! iXem.
Hence, in line at CIM, Live! IXem preview, an event that will offer combinations of sonic and musical suggestions from some of the artists attending the conference and, for whom the project iXem the opportunity to make music and experiment with new directions music.
The evening will conclude in a casual atmosphere, the right time to take leave from the conference, taking advantage of multipurpose spaces Hiroshima Mon Amour: a lounge bar where you can exchange impressions and greet or a dance floor where you follow the rhythm of electronic music 'to dance'.
to act as a bridge between the preview of the Live! IXem and the final user-friendly, there will be a set of audiovisual Frank Bretschneider (co-founder of the famous Raster-Noton). The 'Berlin artists will present, in collaboration with Hiroshima Mon Amour, his latest work exp.
a diverse audience, curious and alert, stimulated to move between different ways of making electronic music, will find the thread that binds the scenario sound contemporary, computer experience (AIMI), academic (the Trio), interdisciplinary (CIRM, DAMS, Lab.Quazza) and experimental (iXem).
Live! IXem 2010 Preview is a collaboration between:
antithesis - iXem - Italian experimental electronic music
Hiroshima Mon Amour - Torino
CIM-AIMI
Multimedia Laboratory "G. Quazza"
EXP - Live Audiovisual Performance 
AntiTesitorna for Palermo, December 18 to 20 the sixth edizionedel Festival Live! iXem, dedicated to the music and the arts sperimentalielettroniche. became established event, this year ilFestival is in three days. Live! IXem help sondarela multiplicity of approaches, guidelines aesthetic esecuzionidal of living, technological solutions and tools adopted by artisticoinvolti in contemporary research that return a quadrovivace and heterogeneous. The protagonist of 
Regards, Drinks and